5-Word 365 #366 – The Raid
FUCKING LEAP YEARS! GODAMMIT!!
FUCKING LEAP YEARS! GODAMMIT!!
Golly, we’re getting pretty close to the finish line here folks. For the newer arrivals among you, this site was running before this 365 days of reviews nonsense started and it will continue to run afterwards, but there are going to be some changes. For one thing, I won’t be posting every day (at least not while I still have a day job!) and there are a few possible regular features I might be trying out over the coming months. I’m not gonna give away too much yet, but stay tuned.
First though, I need to get cracking with today’s flick. Read More
It’s Christmas Eve. Also known as day 359 of the year 2012. I’m hanging with the family here at my sister’s place, waiting for the big beardy fella to stop by with all sorts of goodies for my two nieces. There is one tiny drawback to this, which is that it’s harder to get some time to myself to watch a movie, so I waited until everyone else had gone to bed and then I watched this. It’s not Christmassy. I don’t care. Merry Christmas, happy holidays, praise His Noodley Appendage… Whatever you’re into.
My countdown to Christmas continues with another less-than-traditional festive tale. If you ever wanted to see Danny Trejo pretend to be a department store Santa, then this is the flick for you…
“Blogging isn’t writing, it’s graffiti with punctuation” – Elliot Gould as Dr Ian Sussman, delivering my favourite line from today’s movie.
Who likes crime drama?! We like crime drama!
It’s actually quite tricky to write extensively about a film you have no real feelings about one way or the other.
Sometimes it’s the classics that slip through the net the easiest. Here’s another from the Why Haven’t I Seen This? pile.
There are times when I feel that I should stand up and defend a maligned movie. This is not one of those times.
Same old, same old. Snore.
After his hitherto unknown twin brother Kevin is killed during a CIA operation in Prague, New Jersey hustler Jake Hayes is recruited by The Agency to pose as Kevin in order to complete his mission: buying a suitcase nuke from the Russian mafia. What could possibly go wrong?
This 2002 effort from the superteam of director Joel Schumacher and producer Jerry Bruckheimer is the textbook example of the cynicism of Hollywood. Containing not one single iota of originality, every single plot point and story beat is straight out of the Big Book of Mismatched Buddy Action Comedy Clichés. Had Bad Company been written twenty years earlier by Shane Black or Daniel Petrie Jr (for example) then it could have been fresh and exciting and interesting, and probably funnier. As it is, Jason Richman and Michael Browning’s script does nothing but tiredly tick the boxes.
As our mismatched buddies, Chris Rock and Anthony Hopkins struggle to make a silk purse from a sow’s ear. The tone of the film is too far down the middle; not comedic enough for Rock to cut loose, and not serious enough for Hopkins to really get his teeth into. Rock does get the occasional mini-rant that could have been lifted from his stand-up act but, just like in Lethal Weapon 4, these moments don’t quite gel with the rest of the scene around them. Hopkins comes across as somewhere between bored and sardonically amused at the situation he’s found himself in. His performance here is a lot like his M:I-2 cameo in fact, only expanded to a lead role. There are moments that hint at the chemistry that could have been, but unfortunately they never quite ignite.
Schumacher has assembled a solid supporting cast to back up his mismatched buddies. Peter Stormare seems to be relishing his Maffiya moments but is unceremoniusly dumped halfway through the movie. A pre-Mad Men John Slattery classes up the joint as Hopkins’ Agency superior, and there’s a shamefully uncredited turn from Shea Whigham as the tech support guy. Here’s one for the trivia fans among you: Hopkins’ partner Swanson is played by Brook Smith, who played the girl Hopkins (as Hannibal Lecter) was recruited to help save in Silence of the Lambs. All together now: “it puts the lotion in the basket or it gets the hose again!”
Cinematographer Dariusz Wolski (Prometheus) shoots the hell out of the Prague sequences, but as with everyone else, he never has the opportunity to get experimental or come up with something too new or interesting.
As well as the general feeling of “woulda, shoulda, coulda” that surrounds Bad Company, it’s grasp of logic is just embarrassing. I almost turned the flick off when the bad guys seemingly get from Prague to New Jersey – with a suitcase nuke in their possession – in about twenty minutes. And I love how nobody questions the fact that the CIA is putting white-haired Welshmen in the field…
For connoisseurs of really bad movie posters, this is among the most famous. An example of some truly heinous photoshopping, it had the odd effect of actually making me want to see the film. So I did.